Chuck Jones

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

Thrifty, folksy and cantankerous, Matlock charges a premium for his services but is worth every penny: This renowned attorney, always clothed in his trademark light-gray suit and driving his signature Ford Crown Victoria, has an uncanny knack for finding overlooked clues and exposing murderers in dramatic courtroom scenes.

Duck Dodgers battles evil in the 24th century.

After receiving an exotic small animal as a Christmas gift, a young man inadvertently breaks three important rules concerning his new pet, which unleashes a horde of malevolently mischievous creatures on a small town.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!

Test pilot Tuck Pendleton volunteers to test a special vessel for a miniaturization experiment. Accidentally injected into a neurotic hypochondriac, Jack Putter, Tuck must convince Jack to find his ex-girlfriend, Lydia Maxwell, to help him extract Tuck and his ship and re-enlarge them before his oxygen runs out.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Bitter and hateful, the Grinch is irritated at the thought of a nearby village having a happy time celebrating Christmas. Disguised as Santa Claus, with his dog made to look like a reindeer, he decides to raid the village to steal all the Christmas things.

A PBS miniseries in which five celebrities drive a highway of importance or interest to them.

Daffy Duck and Speedy Gonzales find a treasure map that leads them to a wishing well, which for a penny will grant any wish (through old cartoon footage). Daffy sets up a resort around the well and various Looney Tunes characters have their dreams come true. Meanwhile, Yosemite Sam and the Tasmanian Devil hunt for the varmints who stole their treasure map!

Thomas Timber Wolf is a timber wolf who fancies himself a smoothly sophisticated predator. However, for all his smooth talking ways, Thomas has a great deal of trouble dealing with his wilder neighbors. The fact that he reflexively roars "TIMBER!" and causes a tree to fall on his head whenever he says his name does not help either.

Salesman Roy Knable spends all his free time watching television, to the exasperation of his wife, Helen. One day, TV salesman Spike convinces Roy to buy a satellite dish offering 666 channels. The new addition to Roy's home entertainment system sucks him and Helen into Hellvision, a realm run by Spike, who is an emissary of Satan. For 24 hours, the couple must survive devilish parodies of TV programs if they want to return to reality alive.

Porky and Sylvester stay overnight in what Sylvester realizes is a terrifying hotel filled with endless imminent danger.

The third and final era of theatrical Tom and Jerry shorts, produced by Chuck Jones and his Sib Tower 12 Productions (later MGM Animation/Visual Arts) between 1963 and 1967. These 34 shorts restyled Tom and Jerry with Jones's distinctive character designs and comic timing, following the original Hanna-Barbera (1940–1958) and Gene Deitch (1960–1962) eras.

A collection of Warner Brothers short cartoon features, "starring" the likes of Daffy Duck, Porky Pig and Wile E. Coyote. These animations are interspersed by Bugs Bunny reminiscing on past events and providing links between the individual animations which are otherwise unconnected. This 1979 feature-length compilation includes several of his best cartoons. Among the 11 shorts shown in their entirety are the classics "Robin Hood Daffy," "What's Opera, Doc?," "Bully for Bugs," and "Duck Amuck". The Bugs Bunny Road Runner Movie provides a showcase not only for Jones's razor-sharp timing, but for the work of his exceptional crew, which included designer Maurice Noble, writer Mike Maltese, composers Carl Stalling and Milt Franklyn, and voice actor Mel Blanc.

Wile E. Coyote uses a bottle full of bees, a brick wall, a boulder in a catapult, and a harpoon gun in his attempts to catch the Road Runner.

Porky is reading the Greek myth of the gorgon, who turned everyone she looked at into stone. Mother tells him it's bedtime; he dreams of being Porkykarkus, the hero that saves Greece.

Bugs Bunny vs. a famous opera singer at the Hollywood Bowl.

Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.