Danniel Danniel

A band of medieval mercenaries take revenge on a noble Lord who stiffs them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

A woman and her daughter lives in Oostdijk, a village near Amsterdam. One night when the mother is on her way home, she is killed in a car accident in the street they live in.

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An unlikely friendship blossoms between Elsa, a preppy, idle, spoiled blond who calls herself Gino, and Nina, a wannabe anarchist who plots with three others to blow up an arms factory. Nina is often sour and tempestuous, but with Gino she's spontaneous and funny. Yet the friendship often founders, as the feckless Gino spoils Nina's frequent and demanding plans. They decide to rob Gino's rich uncle to pay for bombs and creature comforts, they sneak into a stranger's house, they steal a painting belonging to one of Gino's boyfriends, bombs fail to explode, and Gino costs Nina the trust of her anarchist pals. Then comes the crocodile test, the ultimate for any friendship.

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During the unique world tour of the RCO celebrating its jubilee in 2013 we meet musicians and concertgoers. The tour develops not just into a journey across the globe but also as a trip to the core of classical music, a quest for the palette of emotions which only classical music can arouse. In 2013 the Royal Concertgebouw Orchestra tours the whole world to celebrate its 125th anniversary: 50 concerts spread over 6 continents. Unbounded passion and love for music brings musicians and concert goers together. Documentary maker Heddy Honigmann lands with the orchestra in Buenos Aires, Soweto and St Petersburg and shows how the ensemble succeeds in gaining the hearts of people with a different cultural background. A journey to the kernel and the power of music which knows how to touch unexpected emotions and which helps to overcome the pain of living.

Juliano Mer-Khamis' documentary on his mother, Arna, an activist against the Israeli occupation who founded an alternative education system for Palestinian children.

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

Documentary about the Dutch film director Adriaan Ditvoorst.

Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.

Love story against the background of the fall of the Wall. On New Year’s Eve 1989 Maria’s ex-husband turns up on her doorstep. She lives in Rotterdam now and he has just fled crumbling Communism in their homeland. A long flashback makes it clear why he is not welcomed with open arms.

An unlikely romance blossoms between an introspective, illiterate baker and a woman he met through dating ads.

"The Great Magician" - A portrait of Frans Zwartjes (1927-2017), sometimes called 'the most important experimental filmmaker of his time' by the American essayist Susan Sontag.

A lonely man dies. There’s no funeral: neither friends nor family show up. Municipal workers will take away and destroy all his possessions. Before his unusual house is emptied though, a series of strangers pay a visit, wondering who this man was and who they themselves are.

In a portrait of his New York relatives, one of them a Holocaust survivor and the other her daughter, filmmaker Marco Niemeijer gradually unfolds the harrowing, smothering effects of the war trauma across generations.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

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Feature film about a filmmaker who wants to make a documentary about the life of Hungarian director Mykosch. Using images from films he made in the past, the Hungarian tells about his experiences as a resistance fighter, refugee and bohemian. The documentary maker is fascinated by Mykosch's story but finds it increasingly difficult to distinguish between film and reality. The Hungarian lies without batting an eyelid, tells real and fake stories with the same charm and builds up theories, only to ridicule them. In the editing room, Mykosch finishes his latest film. He can't decide when to let the protagonist die. Then the documentary maker realizes that the death of the character will also mean the end of Mykosch.

In public, Maryam wears a headscarf and obeys the rules of the state. But in the privacy of her own home, she’s the breadwinner who runs the show, along with her mother and younger sister, Ghazal. When Maryam decides to get married, a blushing bride at 45, her worlds collide. With the support and encouragement of her family, she reconciles her personal autonomy with the expectations of a traditional marriage. Brother and co-director Sharog Heshmat Manesh presents an intimate portrait of family life in Iran, candidly capturing his sister’s wedding jitters, her fear of giving up her independence and of being too old to break free from her habits, and her attempts to add a pre-nuptial stipulation to the Marriage Guarantee.