Harmen Jalvingh

In Mosul, a city devastated during the battle for liberation from the Islamic State, the fight to heal and preserve its identity, culture, and art is not over. Three men refuse to let Mosul remain in ruins. A city with 8,000 years of history, struggling to reclaim its soul through those who refuse to let it fade into oblivion.

Based on the struggle of young people in Goma (Northeastern Congo) against the prevailing Western reporting about war and misery, Stop Filming Us investigates how these Western stereotypes are the result of a skewed balance of power. Stop Filming Us creates a cinematic dialogue between Western perceptions and the Congolese experience of reality. While the Congolese perspective becomes increasingly clearer in the film, questions arise about the perspective of the film itself; is a white director able to make a film about the new Congolese image or is it primarily a story created by his own Western perspective?

How do you interpret the Ten Commandments today? For a long time, these commandments guided our thoughts and actions, but how do people relate to these rules, to each other, and to today's complex society? Ten filmmakers of varying ages, backgrounds, and experience have explored the deeper meaning of these ancient rules. In the documentaries, they are contrasted with today's multicultural, globalized, and secularized world. A series of ten highly diverse documentaries, each addressing one commandment in its own unique way. The films explore contemporary themes such as identity, friendship, addiction, postcolonialism, morality, and the human impact on nature.

With the eel threatened with extinction, the search for the mystery of its reproduction takes on a new dimension. What lies behind our obsession with controlling nature?

Freek de Jonge intends to stage one last magnificent show, to once again draw in the crowd. The performance of his life, in which he confronts various painful events, descending to the depths of his soul. This way he hopes to rekindle the drive of thirty years ago: has he done things right, will he be able to make up for the times he failed as a man and as an artist?

In an as stirring as hopeful music story Dj Robert Soko, who came to fame with his Balkan Beats, embraces musical influences from newcomers in multicultural Europe.

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As teenagers, they decided to fight for FARC. Now that a peace agreement has been signed in Colombia, the children of Caldono return to their bombed village. The question is how the villagers will welcome them: with forgiveness or retaliation? Activist Farid Julicué dedicates himself to achieving reconciliation between the villagers and the former rebels.

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Telstar Football Club from IJmuiden is an absolute underdog in Dutch professional football. Chairman Pieter de Waard, like his father, wants to save the club from ruin and is constantly coming up with new activities to get people involved in the club. On the other hand, for coach Andries Jonker - who worked for clubs like Bayern Munich, Barcelona and Arsenal - professionalization and sporting success is an absolute goal. Corona puts everything on edge.

When he sees members of the audience crying while he’s performing his dance, Xavi is a bit disappointed. If they’re crying because they’re moved by his dancing as an art form, that’s fine. But if it’s out of pity because he’s in a wheelchair, they can “fuck off.” A similar attitude can be detected in Jos de Putter and Clara van Gool’s portrait of the Catalan dance collective Liant la Troca, whose members include people with a physical disability. One by one, they spotlight some of these intriguing personalities.

A cinematic examination of the emotional connection between the Western audience and those affected by the climate crisis on the island of Tuvalu.

Every love, no matter how happy, sooner or later ends unhappily; either due to loss, due to death, or due to a broken bond. These are all sides of the same medal. Why do we love others if love can hurt us so much? Wouldn’t it be safer not to love? In this documentary, several people who have been profoundly confronted with love and death in their lives, provide glimpses of the enigma of love, based on their personal stories. On Freud’s famous couch, they are questioned about their experiences. Their stories are interwoven with timeless works from the history of painting and music. When words are not adequate, there is art and music.

In public, Maryam wears a headscarf and obeys the rules of the state. But in the privacy of her own home, she’s the breadwinner who runs the show, along with her mother and younger sister, Ghazal. When Maryam decides to get married, a blushing bride at 45, her worlds collide. With the support and encouragement of her family, she reconciles her personal autonomy with the expectations of a traditional marriage. Brother and co-director Sharog Heshmat Manesh presents an intimate portrait of family life in Iran, candidly capturing his sister’s wedding jitters, her fear of giving up her independence and of being too old to break free from her habits, and her attempts to add a pre-nuptial stipulation to the Marriage Guarantee.