Acting
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When a spate of grisly murders throws a city into chaos, a tenacious prosecutor must brace for a cat-and-mouse game against a dangerous manipulator.
In a dystopian 2049, three women in Taiwan navigate their roles as mother, daughter and wife — as technology takes a toll on their lives.
An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.
Mia and Emma decide to take the next step toward marriage, only to find their first challenge lies in bringing their families together. Amid complicated traditions, dowry preparations, and the chaos of wedding planning, they face arguments, doubts, and uncertainty about the future. As expectations from both sides begin to weigh on them, they start to question what happiness truly means—and whether marriage is really the answer.
In February 2012, the death of Feng Fei Fei, the Taiwanese singing stardom in the 60s, shocked the whole island. People were occupied in a haze of mourning. At the same time, a single mother and her daughter got news from their husband and father, who had cut contact with them for 18 years and now wanted to meet them.
They left home for the very first time at the age of 25. Both female protagonists began to learn about themselves. One tried to live on her own while the other enjoyed the wonder of loving someone. Both found their way to live life to its fullest. They learned and they changed through the life experiences; a wondrous journey through time, living with no regrets along the way.
A skilled killer named Shui is forced to retire after a failed mission. He moves into an apartment arranged by the organization. However, unexpected murders start happening in the community. Shui decides to investigate and discovers that the community is concealing a conspiracy — there are hidden killers carrying out missions. Trapped in a dangerous situation, Shui’s only recourse comes from his ordinary neighbors.
A-Tek is on a quest to find his favorite metal band, Chthonic, and persuade them to play a benefit protest concert in his southern Taiwan hometown. Can music save a Taiwanese homeowner from a Chinese land grab? He sure hopes so.
When her filmmaker grandfather, Liu Chi-Sheng, lands in hospital, 18-year-old Jie has him recount the love story between him and her grandmother, Chiang Mei-Yue, that happened during a visit of the film sets of Beitou.
Little Han lives in the mountains with his great-grandmother, Auntie Han-hsiao. In rainy days, Little Han sits in front of the fireplace listening to Auntie Han-hsiao’s colorful and mysterious tales. One day he sees an injured and dying sparrow. With sadness, he digs a small cave and buries it.
Laichun, her father and two mothers, uncle and grandfather are of different generations; thus they all think differently. Father is the family head, and because he believes he must continue on the family name ends up taking two wives.
Legend has it that the forest that makes noise in the morning is the home of monsters. When the demented old woman (played by Wang Yan) and the monsters were distressed about the forgotten way home, the old woman met university classmate Wang Xin (played by Xie Qiongnuan). She accidentally opened up the inextricable past, but also quietly unravels the mystery of the monsters' origins, and clues emerge as to the mysterious location of the forest.
Li Chih-cheng, a C-list Taiwanese actor, is hand-picked by a renowned Chinese director to star in a project during the pandemic. On his last day of self-isolation in Shanghai, he discovers he has a fever. Worse still, he must make a decision between his wife in Taiwan and mistress in China over video call. But as it turns out, everyone has a hidden identity and secret. In order to make it through, Chih-cheng must deliver the performance of a lifetime.
Inspired by an ancient Chinese ghost story, the tale that goes beyond what viewers usually expect in the ghost movies and further to challenge the traditional story-telling pattern.
