Alicia Plaza

Por Estas Calles is a telenovela broadcast by Radio Caracas Televisión between 1992 and 1994. It was extremely popular in Venezuela, due to its very realistic approach to the day-to-day life of the country and local tone. It was the first Venezuelan program to give a realistic view of the corruption in political life, as well as the first to show the day-to-day life in the poor barrios. For example, it showed the impact on poor people's lives of the intermittent water supply, showing community meetings and lovers' trysts cut short by the news that the water was on, sending everyone running to fill storage tanks and barrels. It was considered by the Spanish edition of the magazine Rolling Stone as the 8th best show between the 100 Best TV Shows Ever in all Latin America. It is believed to be the longest telenovela ever produced in Venezuela.

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Acorralada is an American telenovela produced by Venevisión. Univision aired Acorralada from January 2007 to October 2007 on weekday afternoons at 2 pm central. It was rebroadcast in late 2011 through April 2012 on Univision's sister network, Telefutura. It was filmed in Miami, Florida, and lasted about 187 episodes. It is the second long-running telenovela that Venevisión Productions has produced without its former co-producer Fonovideo.

Marlene Paez is a beautiful model who transcended many levels of pain and misery to reach international success. But fame is not enough, and her empty heart is divided both by her love for Santiago Porras and her search for the truth about her past.

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

Two young men decide to rob a residence believing it uninhabited, once inside the homeowners and another couple maintain a perverse game as fun for Sunday. One of the young enters the house but is cornered and subjected to all sorts of harassment and abuse.

Set in the 1920s in Venezuela, this political melodrama by Jacobo Penzo follows the decision of the fictional Cruz Elías León (Franklin Virguéz), a young Venezuelan poet, to give up a life of social and possibly mainstream political advancement to go back to his home and family in an isolated fishing village and combat the despotic military dictator in charge of the country.

Dario, a young lower-class, graduated from a management training academy is convinced to be prepared to achieve fortune. In search of a job, he gets involved in illegal businesses.

Ingrid is a young high school student who due to the impact suffered by the death of his mother, is acting strangely causing concern to her teachers. After a landslide caused by heavy rains, police surrounded the premises of the high school to expel the refugees resulting in the classes suspended.

The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.

A sharp black comedy that lays bare the contradictions, obsessions, and moral emptiness of a Venezuelan man who has climbed the social ladder through easy money rather than effort. The film portrays a glittering yet hollow way of life, marked by excess, paranoia, and emotional dislocation. Oswaldo, weary of his stagnant marriage, embarks on a passionate affair with a television star, believing that money lies at the center of all human relationships. In a world where everything seems purchasable—desire, loyalty, even identity—the film exposes the seductive illusion and underlying madness of sudden wealth.

Dr. Rodolfo Arias, a controversial and corrupt lawyer, is the victim of an attack and he points to his two enemies Miguel Guevara and Javier Roldán as the ones responsible. Faced with this situation, Guevara proposes to Roldán a plan to assassinate the lawyer. Fucho, a young criminal whose brother had been a victim of Arias' corruption, together with two other thugs, would be responsible for perpetrating the murder.

The best-known Venezuelan of the 20th century, Dr. José Gregorio Hernández and his brilliant life, through the eyes of Marlene. A young doctor who discovers curious details of his life that motivate her to overcome the conflicts she faces

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