Juan Estelrich March

Ten people are invited to a hotel in the Iranian desert, only to find that an unseen person is killing them one by one. Could one of them be the killer?

As a young woman, Tristana is orphaned and taken under the guardianship of Don Lope, a respected member of the community, who takes advantage of his innocent charge. When Tristana falls in love with artist Horacio, she must learn to be more assertive in order to achieve independence from her nefarious guardian, or her blossoming relationship with Horacio is doomed.

In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event.

Pirates take over a lighthouse on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. A lone member of the lighthouse crew survives, and he deperately fights their plot. A shipwrecked maiden that avoids the pirates slaughter soon complicates the situation.

In a small Spanish town, during the Christmas holidays, a group of rich old ladies organize a peculiar event that consists of inviting a homeless person to sit down to dinner at their wealthy table. Plácido, a humble worker, is hired by the organizers to participate in a parade with his three-wheeled vehicle, a seemingly simple mission that will not be easy for him to accomplish.

Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo. But Elena is also the daughter of Don Diego and to separate the love of his brother, they marry her to Rodrigo, the pastor. This will be the beginning of the tragedy.

Léo and Claude, two penniless friends turned con artists, answer matrimonial classified ads to trap women. But one of the friends soon finds his own game turned against him.

Three Vietnam vets have become so conditioned to violence that they have developed psychotic tendencies. They kidnap people, brutalize them, then turn them loose and hunt them like animals. However the father of one of their earlier victims is plotting a vicious revenge against them.

A boatswain finds himself stranded on an island. Though surrounded by starving, and poor islanders, the boatswain soon learns that the misery is not caused by the people themselves, but rather by a pack of blood-thirsty pirates.

After spending ten years in prison for a crime he did not commit, Juan is released.

Josephine and Antonio have reached a delicate economic balance after marriage. The salary of lawyer from him, and wins her in the hospital, allows them to survive and fantasize about some freak. The situation is complicated by the news that Josephine is pregnant. Ahead of the debacle that may involve having a "child who eats everything, including food," Josephine teaches the baby still in her womb, higher education courses in order to save some money in schools. Meanwhile, Antonio enters the underworld scene, looking for customers who offer their services as a lawyer.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

In this western, a Mexican desperado tries to flee his partner, a determined girl friend, and a US Marshal.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

Eleven years ago Fernando Tobajas, a man of a certain age, decided to live in the bathroom, in which he created a small apartment, and never leaves it. Tobajas has given up everything except vanity, and his contacts with the world are reduced to visits from friends and messages sent through the toilet inside aspirin tubes in the hope that someone will receive them and know about his existence. Arabel Lee, a beautiful girl, finds one of those messages.

Madrid, Spain. Eloísa, a self-sacrificing wife and efficient mother, lives in the neighborhood of Maravillas with her husband, a violent policeman; her sanctimonious son, who spends his life studying and praying to atone for the sins of his family; and her two daughters, obsessed with wealth, who hate each other deeply.

A female traveling companion seduces a married man and his alcoholic wife.

A young man from the gentry rejects all the values his family upholds while they rejects his own; so that, despite his efforts to please and the fact that he works in the family business, he ends up finding out that his uptight and competent brother calls him useless and effeminate.

British sex comedy. Sir Percy de Courcy accidentally turns some poor tasting wine into an aphrodisiac when his old school chum, Mike Scott arrives with a photographer and several gorgeous models.

A tank regiment soldier needs a permit to go to his village to meet his newborn son. It will not be easy, leading to absurd situations featuring the legendary humorist Miguel Gila.