Kristof Gerega

After losing their livelihood in a village, a Kosovar family is forced to move to the capital in pursuit of a place in a hypercapitalist society.

The death of a young Arab man during a police stop in Berlin sparks three interconnected and tragic episodes: two young Afro-Germans struggle to channel their rage; the victim’s mother, torn by grief, feels compelled to defend her son’s honour; and a group of police officers, trapped in routine and clouded by prejudice, make a series of misguided decisions amid the city’s charged atmosphere.

One summer, Dídac travels by bike along the Danube with his family, starting where the river first emerges in Germany. As they journey downstream, he begins seeing a mysterious boy, Alexander, who appears and disappears in the water. Dídac feels himself changing, drawn toward Alexander and away from his brother Biel. Their mother, Monika, who once took the same trip as a teenager, drifts into memories of a past summer love. When she sees Dídac and Alexander together, she encourages them to continue the journey alone. But as twilight falls, Dídac begins to question who Alexander truly is.

Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?

When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

When his daughter goes missing in an apparent alien abduction, Gabriel's search takes him dangerously close to her strange group of so-called friends. But the further he goes inside their computer game and fantasy-obsessed world, the more he realises that he must confront his own difficult memories if he is to get his daughter back.

Ingeborg and Adam are partners in life and at work. They are visionary hand surgeons who love being in control. She loves stealing objects, whereas he wants nothing more than to be her object. After an accident, she is forced to slow down and accept the help of a young, enigmatic woman named Gaia. As Ingeborg develops new obsessions, Adam begins searching for his own object of desire.

In a society of abstract figures, 1000 people live imprisoned in an immense space, distinguished by their social class, like a hive of bees. Their ultimate goal is to produce light, but only one will be able to! 1000 Kings is a conceptual and innovative animation, a poetic meditation on the origins of the universe with a geometric approach and psychedelic colors, inspired by both Western and Eastern mythologies.

If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, an 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.

OILFIELDS MINES HURRICANES is a road-movie, in which the classical concept of that genre - the quest for and the fixation of the own identity - is lead ad absurdum: Salpa, the traveler, experiences a corrosion of his all-along-multiple identity. This is already founded within the production: 18 authors have taken turns writing the screenplay. The amount and sequence of the scenes correlate with John Cage's organ piece As Slow As Possible. The performance venue of that piece, Halberstadt, is the apparent destination of Salpa's journey. But, arrived, no redemption is waiting...

Anne and Nuri have only just been introduced by a mutual acquaintance when they travel to Nuri’s parents’ house in the mountains between Tel Aviv and Jerusalem. As the conflict between the Israeli army and Hamas escalates, they spend two intimate days by the pool under the protection of the Iron Dome missile defense system as an escape from the nightly bomb alerts in the city.

Monolithic power plants; billowing columns of smoke; the backdrop of a red sun. Sirens is an experimental short documentary that captures Germany’s coal-fired power plants in their final years of generating energy. Shot entirely from helicopters, the film takes us on a journey through industrial wastelands, thus recalling the passage of Ulysses’ boat through the Sirens’ strait. An odyssey through the dystopian industrial world that has left a permanent mark on earth’s ecosphere.

In Ukraine, they are called the ‘three musketeers’: together, journalists Svitlana Zalishchuk, Serhiy Leshchenko and Mustafa Nayyem are fighting for democracy on the Maidan. When the revolution comes to a head, and President Yanukovych absconds, his magnificent estate is left behind. Mustafa, Svitlana and Serhiy go inside – and see the extent of the corruption and greed in its rooms. Now they want to go one step further and completely change politics. They run for parliament themselves in 2014 – and win. But the 2019 election changes everything. While Serhiy supports the candidate Selenskyj, Mustafa and Svitlana take a different path. Serhiy must now fight for himself alone.

The documentary ‘No Homeland’ impressively demonstrates the absurd course that things can take when the so called national consciousness awakes and a constructed and at the same time uncontrollable hatred destroys the hitherto peaceful life of a community forever.