D.W. Griffith

TV's most-watched history series brings to life the compelling stories from our past that inform our understanding of the world today.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

A country girl is persuaded to elope with the minister's nephew but she discovers that he is worthless. After he is killed in a brawl, her former sweetheart takes her back to her home.

1913 English-language film by D. W. Griffith.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Mildred lives with her husband, the prospector Steve Clark, in an out-of-the-way cabin in the mountains. She is affectionate and considerate, but her husband shows little if any concern for her, let alone love. A newcomer of friendly disposition and good humor one days runs into Clark and later finds Mildred by herself at home. Lonely and lovesick, she is overwhelmed by his lively attention and apparent affection.

Two young girls are sent away to live with their uncle, which sets off a chain of events resulting in an Indian attack on the town.

The first volume of 12 great films directed by D.W. Griffith from 1909 to 1913, considered by many to be his most creative period. Covering a wide range of topics, these short gems present us with everything from lessons in morality to young women in mortal danger!

Elderly hidalgo, Alonso Quijano (played by DeWolf Hopper Sr.), becomes obsessed with tales of knights and chivalry to the point of losing his sanity. He renames himself "Don Quixote de la Mancha" and decides to become a knight-errant to right the wrongs of the world and defend the helpless. He designates a local peasant girl (Fay Tincher) as his noble lady "Dulcinea" and convinces a simple farmer, Sancho Panza (Max Davidson), to be his loyal squire with promises of an island governorship.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

Hard-working Dave loves Grace, but she rejects him for a flashier suitor. Grace is blinded in an accident, and her suitor abandons her. Meanwhile, Dave also goes blind from eye strain caused by overwork. Dave learns of Grace's misfortune and gives a doctor the money he was saving for his own operation, so her sight can be restored.

A man loses his business and his fiancée, and drifts into the saloons. There he meets a similarly-downtrodden young woman. She works behind the scenes to help him recover his life, and eventually he realizes how steadfast she is.

After being jilted for another, a woman sends her lover's old letters to the new fiancée and looks forward to the reaction. But when she spots her old lover's glove left behind, she has a change of heart and repents.

Bored by a doting wife who is too eager to please (she even puts a cigar in his mouth and lights it), Mr. Avery falls for a dancer, and is invited to a party she is throwing in his honor. Over her husband’s shoulder, the wife reads a letter from the dancer, with the telltale salutation "My dear boy", and threatens to poison herself if he goes. To show that he is not to be deterred by such a melodramatic trick, Avery takes the vial and pours the poison into a wine glass, saying if she decides to do this, why not do it with style? He then leaves, but not without misgivings. At the party the dancer offers him wine in a glass which looks exactly like the one he had handed to his suicidal spouse. This triggers an attack of conscience, and Avery rushes home, to find his wife in a swoon which he takes for her threat fulfilled. Madly, he bursts into the dancer’s party, confesses assisted suicide, and dies.

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.