D.W. Griffith

TV's most-watched history series brings to life the compelling stories from our past that inform our understanding of the world today.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

An episodic dramatization of the 18th President of the United States' life, including his early years, affair with Ann Rutledge, courtship of Mary Todd, debates with Stephen A. Douglas, the election of 1860, his presidency during the Civil War, and finally his assassination at Ford's Theater in 1865.

The young lover leaving home at the opening of the war to join the Confederate Army, tells his brother to take care of his fatherless sweetheart during the perilous times which are to follow. But the brother weakens and fails to be true to his trust. He permits her to believe that her lover is dead. Caught in the neighborhood, however, between the lines of the enemy, the brother appears before them at the crucial moment. In retaliation the false brother turns informer. Both forces are aroused to arms and during the attack upon the girl defending her wounded lover and family alone in the negro's cabin retribution comes in the form of a stray bullet.

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.

Roy Norris, a young author, proposes to pretty Mary Ford and is accepted. The first year or more of their married life is one of bliss, made all the sweeter by the arrival of their first-born. The little trio, father, mother, baby, are bound together by love, until unreasonable jealousy possesses the young couple. While at work in his studio, the young author is visited by his wife just as he is complimenting his stenographer on her valuable aid, and from this the wife sees grounds tor suspicion. On the other hand, the young husband, seeing his wife talking to a stranger, becomes suspicious.

Two young girls are sent away to live with their uncle, which sets off a chain of events resulting in an Indian attack on the town.

Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

The first volume of 12 great films directed by D.W. Griffith from 1909 to 1913, considered by many to be his most creative period. Covering a wide range of topics, these short gems present us with everything from lessons in morality to young women in mortal danger!

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.

Geoffrey Tempest is desperately in love with aspiring writer Mavis Claire, a tenant of his boardinghouse. Unable to marry her due to his poverty, in his anger, he curses God for abandoning him. Soon, Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he's inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.

Elderly hidalgo, Alonso Quijano (played by DeWolf Hopper Sr.), becomes obsessed with tales of knights and chivalry to the point of losing his sanity. He renames himself "Don Quixote de la Mancha" and decides to become a knight-errant to right the wrongs of the world and defend the helpless. He designates a local peasant girl (Fay Tincher) as his noble lady "Dulcinea" and convinces a simple farmer, Sancho Panza (Max Davidson), to be his loyal squire with promises of an island governorship.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.