Rutunn'

A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.

An aging soccer fanatic faces down the reality of his past while struggling to give himself and a young follower very different futures.

Michele Casali is a middle-class professor in Fascist Italy who teaches at the same high school attended by his only daughter, Giovanna. A shy and sensitive girl, her insecurities are only magnified by Michele's overprotectiveness—reaching a point of no return.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O'Shea moves in.

Back from the hospital where he has been treated after a heart attack, Lorenzo is on his way upstairs to his top-floor apartment in Naples when he meets Michela. The charming young woman, who has just moved to the facing apartment, has forgotten her keys and finds herself locked out. Cynical and grumpy, the retired lawyer who has been living estranged from the rest of the world, should normally leave her to her fate but he mellows under her spontaneous charm. He helps her, becomes friends not only with her but with her husband Fabio and their two children. For once, the self-declared misanthropist seems to be experiencing the long forgotten feeling of empathy.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.

Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-together. They discuss about their past, present and future.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

It explores the tragic events leading up to the murder of 21-year-old Willy Monteiro Duarte, highlighting the intertwining of chance encounters, rivalries, and latent tensions.

An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

Fiore, an Italian conman, arrives in post Communist Albania with Gino, his young apprentice, to set up a shoe factory that will never open. The con requires a native Albanian, so they designate Spiro, an impoverished and confused former political prisoner as chairman of the board. When Fiore returns to Italy to get government funds for the project, Spiro unexpectedly disappears and Gino sets out on a journey to find him. The search leads him to discover Spiro's tragic personal history and witness Albanian poverty firsthand.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.