eu acho que o cinema devia ser de graça para o povo
Synopsis
The democratization of cinema: A cinema that falls apart as a popular art to become an elitist glamor. Cinema for whom?
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Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
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At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he falls in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
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A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
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