INXS: Live Germany 1984

Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.

This concert was filmed at Madison Square Garden in New York in 2005 at the culmination of his farewell tour prior to his retirement. It’s a spectacular show with multi-level staging, amazing lighting and guest appearances from D12, Obie Trice and Stat Quo. Originally filmed for US TV station Showtime the show is now available on Blu-ray for the first time and gives us Eminem at his charismatic best.

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

Filmed in front of 76,000 fans at the ANZ Stadium in Sydney, Australia, "The 1989 World Tour Live" captures Taylor Swift's entire performance while also mixing in behind-the-scene, rehearsal, and special guest footage from her 1989 Tour.

S&M2, the live concert film from Metallica and the San Francisco Symphony is the concert event of the year! S&M2 features 20 songs from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favourites and two unique classical songs chosen by San Francisco Symphony Musical Director, Michael Tilson Thomas. S&M2 is newly re-edited by the band, with re-mixed and remastered audio, for a whole new look and sound from the original theatrical run in October 2019.

A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.

Up All Night: The Live Tour is a DVD release from the British-Irish boy band One Direction, which was released on 28 May 2012. The video concert DVD was recorded as part of One Direction's Up All Night Tour at the International Centre in Bournemouth, includes songs from their multi-platinum debut album Up All Night and five covers, including "I Gotta Feeling", "Stereo Hearts", "Valerie", "Torn" and "Use Somebody".

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

A backstage and on-stage look at Justin Bieber during his rise to super stardom.

On 10th December 2007, Led Zeppelin took the stage at London's O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. Founding members John Paul Jones, Jimmy Page and Robert Plant were joined by Jason Bonham, the son of their late drummer John Bonham, to perform 16 songs from their celebrated catalog.

On September 22nd 2011, Adele played The Royal Albert Hall in London. A dream come true moment and a highlight of her record breaking year with the album '21'.

In a short musical film directed by Paul Thomas Anderson, Thom Yorke of Radiohead stars in a mind-bending visual piece. Best played loud.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Live in Texas is the first live album and third DVD by American rock band Linkin Park. The band's main setlist includes songs from their studio albums Hybrid Theory and Meteora, as well as one song from their remix album Reanimation. The live album peaked at #23 on the Billboard 200, and it has sold 1.1 million copies in the United States.

The two-time GRAMMY Award-winners return as you've never seen them before with Synthesis Live. Filmed in the fall of 2017 at the Grand Theater in Connecticut, this concert film features a re-imagining of some of Evanescence's best-loved songs with the spotlight on Amy Lee's virtuoso piano and voice supported by the combination of full orchestra, electronics and the band. The new arrangements give a focus to the emotions and stories in the band's songs.

Dua Lipa's kaleidoscopic rocket fuelled journey through time, space, mirrorballs, roller discos, bucket hats, belting beats, throbbing basslines and an absolute slam dunk of the best of times in global club culture throughout the decades.

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

In 1987, to capitalize on his growing success in Europe, Prince toured extensively to promote the album of the same name and sales increased accordingly. However, the United States remained resistant to his latest album, and sales began to drop; it was at this point that Prince decided to film a live concert promoting the new material, for eventual distribution to theaters in America. Featuring the band that accompanied Prince on his 1987 Sign o' the Times Tour, including dancer Cat Glover, keyboardist Boni Boyer, bassist Levi Seacer, Jr., guitarist Miko Weaver, drummer Sheila E. and former member of The Revolution keyboardist Dr. Fink, the film sees the group perform live on stage (although "U Got the Look" is represented by its promotional music video).

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.