
Synopsis
A man buys a television set in Marvin Starkman’s short black-and-white film. Photographed by John Cazale during an overnight shoot in actor Michael Lombard’s apartment, The Box turns a simple domestic purchase into the basis for a compact 16mm study of object, space, and routine.
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After an innocent man is executed in a case he was responsible for, a Scotland Yard superintendent finds himself investigating the murder of his key witness.
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Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
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Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.
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