Проездом

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Stan and Ollie are hired to build a house in just one day. When they are done, a bird lands on the house and it collapses. Naturally, the owner wants his money back.

Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house.

A young Kyrgyz immigrant tries to eke out a living in Moscow after abandoning her newborn and fleeing the hospital.

A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.

A man attempts to evade observation by an all-seeing eye.

In nineteenth-century Russia, a teenage boy in search of love is drawn to two very different women.

Rebellious schoolgirl Dana grieves for her younger sister, a once-happy kid who suddenly stepped in front of a train. Desperate to learn what happened, she explores her sister's online history, discovering a sinister social-media game.

Mal emerges from the shadows of a mystical forest onto a dark coastline where she crosses paths with Dizzy.

Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.

A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.

Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Living together in a workers' dorm, Katerina and her friends are determined to make it in Moscow. But when a boorish cameraman forces himself on her, Katerina finds herself pregnant and alone as her friends move on. Twenty years later, Katerina is a factory director, outpacing her old roommates career-wise, yet still alone but for her daughter. Love seems possible again when she meets a genial mechanic.

On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?

The human resistance works to convert a sentinel to their side. Part of the Animatrix collection of animated shorts set in the Matrix universe.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.