Attenti alla vernice!

A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.

In Pietrasanta all are excited for the annual party of summer end. Here we find four characters: Merigo, a naive guy passionate of bike; Pierre, son of the mayor; Simone, a pestiferous kid; Mario, lifeguard of "Bagnomaria".

A comedy film composed of 14 episodes. It is a sequel to I mostri, made in 1963. 1. The Finch of Val Padouan (Ettore Scola) - 2. Tantum ergo (Dino Risi) - 3. Hitchhiking (Mario Monicelli) - 4. Kidnapping of a Beloved Person (Ettore Scola) - 5. First Aid (Mario Monicelli) - 6. Big Boy to His Little Mother (Dino Risi) - 7. Model Citizen (Ettore Scola) - 8. Pornodiva (Dino Risi) - 9. Like a Queen (Ettore Scola) - 10. Inn! (Ettore Scola) - 11. Without Words (Dino Risi) - 12. The Funeral Oration (Ettore Scola)

Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.

The myths of the sixties are satirized in 20 episodes.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

Well-known writer Ettore takes his family on a mountain chalet getaway for his birthday, in an effort to create a bond between his two sons, Claudio and Giulio, and his second wife, Margherita. The group is also joined by Margherita's brother, Claudio's girlfriend, a Ukraininan cook and her daughter. When an internet outage strikes, a series of exciting adventures ensues.

Antonio, a former variety actor, keeps his daughter in an excellent boarding school by organizing small scams with his friend and colleague Felice. Commissioner Malvasia good-naturedly persecuted him. When their respective unsuspecting children fall in love, the two fathers make peace.

Tommaso, a single father of four, has shut himself off from the world. When his daughters push him to start over, he meets Lara — a brilliant, captivating woman. But both carry secrets that could change everything.

Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.

Ernesto and Filippo, two high school teachers, couldn’t be more different: Filippo is a cheerful liberal who is constantly online. Handsome and youthful, he is a serial seducer on the social networks. Ernesto, instead is a stern conservative, rigorously computerless. He is probably the last person around who still has a first-generation cell phone and his teaching methods are very traditional. They used to be best friends but an unresolved fight kept them far apart, until the day fate intervened and they found themselves teaching at the same school. Their opposite viewpoints will soon and inevitably lead to a new clash. The internet will force them to deal with their past, which resurfaces in the shape of Nina, a young woman who conducts an experiment on them: Filippo must try to leave the world of Internet and Ernesto must try to enter it.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.

The first movie directed by Roberto Benigni in four surreal short stories: "Durante Cristo" (During Christ), "Angelo" (Angel), , "In Banca" (At the Bank) and "I Due Militi" (The Two Soldiers). An excursus in Benigni's satirical views on man, religion and society.

In the first episode, Quirino tries to conquer co-worker Gabriella. In the second episode, Prof. Beozi ends up in a raid of the police in a local for homosexuals when trying to avoid a scandal. In the third episode, Guglielmo passes all tests in order to become reader of the television news brilliantly, although the commission works with all subtleness's to exclude him.

During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

In this satire inspired by Nikolai Gogol’s The Government Inspector (aka The Inspector General) and transported to fascist era Italy, the (supposed) incognito visit of a Roman fascist official to a tiny country town shakes deeply the ruling class and their lack of integrity.

Robert De Niro and Leonardo DiCaprio must compete for the lead role in Martin Scorsese's next film.

Alberto Nardi is a Roman businessman who fancies himself a man of great capabilities, but whose factory teeters perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money.

I Corti ("Shorts") by Aldo, Giovanni & Giacomo was the first stage show of the comedy trio, with the participation of Marina Massironi. It was recorded live at the Teatro Nuovo in Ferrara on 28 and 29 March 1996. Produced by Agidi, with the theatre direction of Arturo Brachetti.