Synopsis
The controversial story of Martin Zaidenstadt, an 87 year old Dachau KZ survivor that remained to live his life in the adjacent town. It is a strange and fickle story of a conflict between this man and his environment, spun out through the experiences of three young tourists who came for a routine day trip to a KZ memorial and found more then they expected. The film takes place in the "back-stage" of a concentration camp memorial, and on the "backdrop" of the town of Dachau. A town forever marked by its name and desperately attempting to change its image in the eyes of the world. The subjective tourist point of view, and the accidental manner in which Martin's story, opens the film to basic questions about the relationship between memory and commemoration, about the construction of historical truth, and about the connection between the third generation and the Holocaust.
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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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