Psalm III: Night of the Meek

A little nachtmusick, a deep blue overture to the series. Breathing in the cool night airs, breathing out a children's song; then whispering a prayer for a night of easeful sleep. Preserved by the Academy Film Archive in 2012.

Imagine a rusted, medieval film can having survived centuries, a long lost D. W. Griffith / Georges Méliès co-production, a film left to us from the Bronze Age, a time when images were smelted and boiled rather than merely taken, when they poured down like silver, not to be fixed and washed, but free to form and coagulate into unstable, temporary molds, mere holding patterns of faces, places, and things, shape-shifting according to whim.

Psalm IV: Valley of the Shadow, pairs moody landscape imagery culled from a video game with John Huston’s reading of James Joyce’s “The Dead”.

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

A drive-in favorite, this sci-fi classic follows teenagers Steve and his best girl, Jane, as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and policeman Dave refuses to believe the kids without proof.

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

The film goes behind the scenes of the 1999 sci-fi movie The Matrix.

The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.

Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.

Margot is a documentary filmmaker looking to meet her long-lost mother and extended family in a secluded Amish community. She and her film crew soon realize the family that welcomes them into their home might be hiding a sinister secret.

The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.

Young Macy is abducted by a deranged, monstrous figure who wants to raise her as its child.

A woman answers a help wanted ad to be a housekeeper in a mysterious New York City high-rise, unaware that she is entering a community that has seen a number of disappearances over the years and may be under the grip of a Satanic cult.

An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

A group of people are trapped in an elevator high above Philadelphia, and one of them is the devil.

A look behind the lens of Christopher Nolan's space epic.

When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been.

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

A ragtag group barricade themselves in an old Pennsylvania farmhouse to remain safe from a horde of flesh-eating ghouls ravaging the Northeast.

After a violent storm, a dense cloud of mist envelops a small Maine town, trapping David Drayton and his five-year-old son in a local grocery store with other local residents. They soon discover that the mist conceals deadly horrors that threaten their lives, and worse, their sanity.

The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.