Synopsis
A man sets out to photograph UFOs in a scientifically verifiable manner only to get more than he bargained for. Shot by acclaimed visual effects master Douglas Trumbull in a new process called MAGI, 4K 3D at 120 frames per second, to create a powerful sense of immersion previously unseen in cinema.
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Area 51, flying saucers from another world - and the program to create a fierce technology. Bob Lazar remains the singular most famous and controversial name in the world of UFOs. The reason you know about Area 51 is because Lazar came forward and told you about it. His disclosures have turned his life upside-down and he has tried to stay out of the spotlight. For this reason, he has never let any filmmaker into the private world of his daily life - that is - until now. Corbell’s film explores Lazar’s claims through the lens of thirty years - providing rare and never before revealed footage - guaranteed to alter the landscape of the debate.
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In 1997, four campers went missing during the Phoenix Lights incident and their bodies were never found. The Phoenix Tapes 97 is comprised of their final footage. This film is dedicated to the lives lost during the events displayed. To their families and friends and to the authorities who continue to search for answers. The tapes were found by Dustin Miller's father two years after Dustin was mysteriously shot and killed at a traffic stop in Texas. Peter Miller believes his son was acting as a whistleblower and had smuggled the tapes from his classified government agency in an effort to expose the truth as to what really happened to the four missing campers seen in the tapes. After searching every newspaper and media publication around Phoenix during that time period, we only found one initial announcement that four campers were reported missing, as well as a formal police report folder with local PD but the folder had no files inside.
The Phoenix Tapes '97

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