Un geste en moi
Synopsis
Collective French work from 1975 shot in black and white, the film is the result of a collaboration among six women who aimed to explore their subjective experiences through the body. The narrative unfolds through images of bodily experiences, interspersed with spoken words, fragments of sentences, and music. Rather than a traditional story, it presents a sequence of gestures of suffering, pleasure, and self-gratification, described as "gestures of sculpture". The work documents a search for identity that remains fragmented and ongoing, capturing discussions that reflect a "woman-movement" in its developmental stage. Ultimately, it serves as a record of a collective consciousness caught in the very act of its formation
You might also like

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
To Each His Own Cinema

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
Jane B. by Agnès V.

The world's greatest pin-up model and cult icon, Bettie Page, recounts the true story of how her free expression overcame government witch-hunts to help launch America's sexual revolution. When she saw the film The Notorious Bettie Page, produced by HBO in 2006, the main person concerned reacted unequivocally: “Lies! Lies!” In a long interview recorded shortly before her death, the woman who entered the collective unconscious as the ultimate pin-up gave her version of events to director Mark Mori. In a gravelly voice, Bettie Page tells her own story and lifts the veil on areas often hidden by images that have made so many men and women fantasize since the 1950s: her abused childhood, an eclipse that lasted forty years, her mental illness. Through testimonies and unpublished archives, this documentary brings back to life a body and a face endlessly declined before our eyes, just as Bettie wanted: “I would like people to remember me as I was in the photos.”
Bettie Page Reveals All

Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.
Amer

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.
Nude

In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
Showing Up

Feeling awkward and isolated, an imaginative and strong-willed teenage girl runs away from home with an older punk rock drifter.
I Believe in Unicorns

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Blue

A gang of bikers prepares for a race as sexual, sadistic, and occult images are cut together.
Scorpio Rising

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Meshes of the Afternoon

More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
Lucky Them

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Lumière & Company

A group of women involved in the Women's Liberation Movement hatched a plan to invade the stage and disrupt the live broadcast at the 1970 Miss World competition in London, resulting in overnight fame for the newly-formed organization. When the show resumed, the results caused an uproar and turned the Western ideal of beauty on its head.
Misbehaviour

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
The Beaches of Agnès

France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.
Happening

A widowed professor living in Paris develops a special relationship with a younger French woman.
Mr. Morgan's Last Love

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.
Original Sin

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
Final Portrait

In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
Little Girl Blue

Delinquent Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with up-and-coming dancer Nora.