Hana no unga

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.

The mother of a feudal lord's only heir is kidnapped by the lord. Her husband and his samurai father must decide whether to accept the unjust decision, or risk death to rescue her.

Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma, a fellow survivor from Final Selection. His sparrow asks Tanjiro to help keep him in line. A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits.

In an age of revolution, Marie Antoinette and her protector Oscar François de Jarjayes face tough choices as women growing into their distinct roles.

Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...

Tsubasa and his comrades take on the "All-Europe Boy's Soccer Team", a league of players with skills that they have never seen before in previous matches. Will Team Japan come out on top against this diverse group of players?

Devoted to her family’s rice-cake–making business and the high school baton club, Tamako is a little slow when it comes to love. She’s oblivious to her childhood friend Mochizo’s affections, even though all their friends know. With graduation closing in and Mochizo leaving for Tokyo, will Tamako realise her feelings and tell him in time?

A hotheaded youth in 1880s Meiji Japan apprentices to judo master Shōgorō Yano, trading brute jujutsu bravado for discipline and humility. As Sanshirō matures, he proves judo’s spirit against old-guard challengers—including a deadly duel—while falling for his vanquished opponent’s daughter. Based on the novel by Tsuneo Tomita, son of Tomita Tsunejirō, the earliest disciple of judo.

When apathetic gamer Nagi agrees to join his rich classmate Mikage in soccer, their partnership leads to the famous Blue Lock program — and to changes.

Satomi is fine being alone until an AI named Shion joins her class with a song and a promise to make her happy. While Shion’s musical numbers and princess gowns don’t quite pass as human, her antics bring Satomi closer to four other classmates. Together, they make memories worth saving, but even our most precious data can be erased.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

While stopped at a roadside phone booth for transmitting his work through the Internet to the university, Professor Hideki Satomi finds a scrap of newspaper with the picture of his five-year-old daughter Nana in the obituary section.

As Nobita, Gian, Shizuka, and Suneo are making their own space movie, a fleeing bug-sized alien president makes his way to Earth, and needs the help of the kids and Doraemon to stop an oppressive dictatorship threatening his democracy.

Black Jack is a master surgeon who possesses impeccable skills, enabling him to perform operations that are impossible for even the finest surgeons. He now is faced with his most difficult task to date and must challenge the limits of medical science...before it's too late!

Three unlikely heroes - Nachi, a free-spirited coati; Xochi, a fearless monarch butterfly and Pako, a hyperactive glass frog - embark on an adventure to stop wicked coral snake Zaina from destroying their rain forest homeland.

After transferring to Ishinomori Middle School, Tetsuko "Alice" Arisugawa overhears her classmates discussing a strange rumor. The previous occupant of her seat, a nondescript "Judas," is missing and presumed murdered. Amidst dealing with her mother's undesired meddling in her affairs and warding off her classmates' bullying, the troubled Alice starts to investigate the mystery surrounding Judas' disappearance. The trail of clues leads her to the house of her next-door neighbor, the quirky and reclusive Hana Arai.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Tanjiro ventures to Asakusa for his second mission with the Demon Slayer Corps. A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits.

Tanjiro undergoes rigorous training with the Stone Hashira, Himejima, in his quest to become a Hashira. Meanwhile, Muzan continues to search for Nezuko and Ubuyashiki. A recap of Kimetsu no Yaiba episodes 55–56, with new footage and special end credits.