Yakuza geisha

Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.

Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shunosuke, a radical set on murdering prominent politician Kurokawa, and Christina, an American spy posing as a gambler.

The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

Devoted to her family’s rice-cake–making business and the high school baton club, Tamako is a little slow when it comes to love. She’s oblivious to her childhood friend Mochizo’s affections, even though all their friends know. With graduation closing in and Mochizo leaving for Tokyo, will Tamako realise her feelings and tell him in time?

After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

Miss Kobayashi, Tohru, Kanna, and Iruru's peaceful lives are shattered when Kanna's father, Kimun Kamui, leader of the Chaos Forces, arrives and forces her to return to the Dragon World to fix a past mistake. With a war brewing between Chaos and Harmony, Kanna must find a way to unite the two worlds but is torn between her loyalty to her friends and her father's demands. Miss Kobayashi, however, refuses to let her go and tries to mend Kanna and Kamui's broken bond. As dragons clash, Iruru uncovers a hidden force manipulating the war. Can they stop the war before it consumes both worlds?

As Sasaki prepares for his college entrance exams, Miyano tries to make the most of their limited time together while grappling with his own emotions.

One night, the Nohara family were enjoying a pleasant dream, when suddenly a big fish appeared in their dreams and ate them. The next morning, Hiroshi read in the newspaper that everybody in another town had the same nightmare as him, but it seemed to have ended. But Hiroshi also heard the same dream from Misae, Shinnosuke, Himawari and even Shiro. They were surprised and thought if the same thing is happening in Kasukabe too. In kindergarten, on telling others about his nightmare, Shinnosuke was surprised to know that everybody too had the same dream. Then a mysterious girl named Saki was transferred to Futaba Kindergarten and joined Shinnosuke's class. Everyone in the class, including the rather inactive Bo-chan, were all excited and happy on seeing her. But Saki had a cold attitude and didn't get along well.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Following Natsuki Enomoto's confession rehearsals with Yuu Setoguchi, their younger siblings Kotarou and Hina struggle to confess their own love. Despite a disastrous first meeting in middle school with her upperclassman Koyuki Ayase, Hina’s heart is captured by his warm smile. Initially confused by these newfound feelings, Hina soon realizes that she has fallen in love for the very first time. Chasing after her brother Yuu and her crush Koyuki, Hina also enrolls in Sakuragaoka High School; but the threads of love are far-reaching, and they entangle Hina and her friends. Boisterous but sensitive, Hina hopes to confess her feelings to the tender-hearted Koyuki. Meanwhile, Kotarou, oblivious to his own feelings for her, is determined to always keep Hina smiling. This movie follows Hina, Kotarou, and Koyuki in high school. Their youthful love forges new relationships, but also threatens to break others.

A Japanese man in polka-dot pajamas wakes up in a room with no doors. Meanwhile, a middle-aged Mexican wrestler prepares for his most challenging match ever.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

With the help of her coach, her mom, and the boy who drives the Zamboni, nothing can stop Casey Carlyle from realizing her dream to be a champion figure skater.