On the Table

A hand drawn animated short by Studio Ghibli.

A giant whale appears and flies above Sakura New Town. With the whale’s sound of crying, some changes occur to Kenta Amano and Yokai.

It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.

GrandPat travels through alternate dimensions and timelines to get home.

Everyone's favorite TV superhero Action Mask shows up in Kasukabe, and he's trying to get something from Shin-chan -- but what could it be?

The surreal black comedy follows Nyatta, an anthropomorphic kitten, on his travel to the land of the dead and back in an effort to save his sister's soul.

The Noharas get caught between two rival clans when Himawari swallows a pretty bead that turns out to be a mysterious ball with hidden powers.

Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.

Among the ruins of the city, there is a game only children can play. It is called “Otokoyo”; a game of hide-and-seek. But whenever children play this game, one by one they would disappear into the blinds of the buildings… The story begins when a boy enters the world of Otokoyo, to find his missing sister.

Tezuka Osamu's most famous work "Jungle Emperor Leo" has been made into an animated version a number of times. In this theater version, Tezuka Osamu was able for the first time to depict the theme that "All life is equal" through Leo's self-sacrifice.

Sewashi and Doraemon find themselves way back in time and meet Nobita. It is up to Doraemon to take care of Nobita or else he will not return to the present.

As Nobita, Gian, Shizuka, and Suneo are making their own space movie, a fleeing bug-sized alien president makes his way to Earth, and needs the help of the kids and Doraemon to stop an oppressive dictatorship threatening his democracy.

When the evil Yo-Kai Kin, Gin and Bronzlow makes the Yo-Kai Watch disappear from time so they can help Dame Dedtime prevent humans and Yo-Kai from being friends, Nate Adams finds help in the Yo-Kai Hovernyan, who takes Nate, Whisper and Jibanyan 60 years to the past, when the Yo-Kai Watch was first invented by Nate's grandfather, Nathaniel Adams, while he was a boy. Together, the 2 boys fight Dame Dedtime and her evil Wicked Yo-Kai minions to save the world from her evil plans.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

Something sinister's afoot in Kasukabe. Shin-chan doesn't know what it is, but he's pretty sure it involves samba-dancing doppelgängers.

Nobita finds a passage to a spaceship in another dimension. With their new friends, he and Doraemon fight the cruel leader of an exploited planet.

Aya Okamura has been working for two years and has begun living on her own for a job opportunity. With her mother working overseas as a doctor, her father is now living alone with the family's longtime pet cat Mii-san. One night, Aya returns from a long day at work, and as she rests on her bed, she reminiscences about the times the family had together. She remembers the sadness she felt when her mom went overseas, and the solace she felt when her father brought home Mii-san to give her comfort. Then, she receives a phone call.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.

Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.