Synopsis
The making of the film Django (1966) is described by its star, Franco Nero, and assistant director Ruggero Deodato.
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A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.
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This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.
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Hiding out with his son Taylor on the Mexican coast, Nero hopes to put his violent Special Forces career behind him. But after Nero’s home is attacked and Taylor is abducted, the mysterious Mzamo orders Nero to slaughter the members of three rival crime syndicates. If he fails, Taylor will die. Now, with bullets flying and bodies dropping as Nero completes his mission, he races to find Mzamo’s hideout and seek revenge.
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Martial artist Mike Terry lives by a strict code of no competitions, for he feels that such contests weaken fighters. After saving a famous action star from a brutal attack, Mike takes a job in the film industry. He soon finds his personal beliefs and integrity on the line as circumstances force him to participate in a prize fight.
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The world is a mysterious place when seen through the eyes of an animal. EO, a grey donkey with melancholic eyes, meets good and bad people on his life’s path, experiences joy and pain, endures the wheel of fortune randomly turn his luck into disaster and his despair into unexpected bliss. But not even for a moment does he lose his innocence.
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Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
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