At Work

Some young folks, tired of the society they're living in, plan a bomb attack over Paris before taking shelter for a night in a shopping center.

Henry, a young actor, finds himself involved in a film by cinema superstar, Cédric Rovere. Charmed by his benevolence, feelings hitherto unknown are aroused, while Rovere, intrigued by Henry's dream, lives this shoot as an unexpected gift.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

A widowed professor living in Paris develops a special relationship with a younger French woman.

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

In a Parisian parking lot Sonia finds herself trapped in her car with her son and the daughter of her boyfriend Fred, who has been left outside, powerless to deal with the situation: an anti-tank mine has been set under the car. Sonia is a bomb-disposal expert, who works for a NGO with Fred. She just got back from a mission in Ukraine and, while she's used to face dangerous situations, with the children's lives on the line the stakes have never been higher. Along with colleagues Igor and Camille, who came to the rescue, Sonia and Fred have 30 minutes to defuse the bomb and work out who could be the mastermind behind this. Will they stand united until the end or will the family implode under pressure?

An operative for an elite private intelligence firm finds her priorities irrevocably changed after she is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

The life of two men changed unexpectedly when Ajith, an Indian sailor who was robbed and lost everything, appears out of nowhere in front of Pierre, a single and grumpy Frenchman.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.

When North Korean ruler Kim Jong-il orchestrates a global terrorist plot, it's up to the heavily armed, highly specialized Team America unit to stop his dastardly scheme. The group, which has recruited troubled Broadway actor Gary Johnston, not only has to face off against Jong-il, but they must also contend with the Film Actors Guild, a cadre of Hollywood liberals at odds with Team America's 'policing the world' tactics.

A crew of young environmental activists execute a daring mission to sabotage an oil pipeline.

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.

Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.

A burned-out paramedic tries to survive his last 24 hours on the job while training a new recruit.