Synopsis
A woman remains the mistress of a married man until his death.
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The final part of the film adaption of the erotic romance novel Gabriel's Inferno written by an anonymous Canadian author under the pen name Sylvain Reynard.
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A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service, where he becomes entwined with a wealthy woman whose husband is a successful writer.
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A World War II prisoner returns home to his childhood sweetheart. However, back home, he discovers that he has to compete to win her love.
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A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.
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Georgie is slowly suffocating in a loveless marriage to fishing tycoon Jim Buckridge. Handsome poacher Lu is an irresistible symbol of the excitement she craves. A passionate affair follows that reveals the dark secrets in Lu’s past and forces him to take flight into the blistering heat of the outback. Georgie follows, determined to find him and bring him back.
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An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel's Inferno is a captivating and wildly passionate tale of one man's escape from his own personal hell as he tries to earn the impossible--forgiveness and love.
Gabriel's Inferno

In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod's long-absent stepdaughter. Herodias sees the king's dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications...
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Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.